CAMPELO 2008 HAPPY HOLIDAYS!
Dear Friends
As a family we wish you a Merry Christmas and Happy Christmas Eve. That
tonight, Jesus (guest of honor) can be remembered in our homes, for their love, devotion, peace, mercy. Remember the great love of God for us by giving us Jesus, by giving himself for salvation of mankind. We remember Jesus
.. Mission Center! Whoever today in many cultures today is unknown.
many brothers and pray for workers to celebrate Christmas in hiding because of persecution! Think
other brothers who live in Muslim countries or Buddhist, just celebrated at home, since countries in which they live do not celebrate this holiday "Christian." May this Christmas
us to commit more and more with Jesus and his Gospel and motivates us to bring the Good News to those places where He is not yet known!
Happy Holidays!
Together in Mission and affection ...
Diego Esteban and Gladys Anita Campbell Cesia
Monday, December 24, 2007
Saturday, December 15, 2007
Buying Pieces Of Corean
Role of Social Educators in Museums
As social workers we must assess which the needs are lacking and that through our intervention can be overcome, for example, may be the accessibility of such museums, if such access is consistent with the needs of the population at any given time as the public can attend a museum, they must be implemented in case do not exist, and whether there but they do not function open to improvement, all so that nobody is excluded from the vast wealth
educational and cultural eza can give us a museum. I also think that social workers must work, to try to open the museum to all social classes, without distinction and not allowing anyone to margin because they possess the skills, ability or education necessary to understand what can be discovered in a museum, so to these people open to make a double effort, because you can learn much, through art. We therefore need to carry out activities, dynamic projects, workshops among many alternatives and options, to try to equally stratified promotion of museums to society as a whole, all designed to bring education in the form of art, all over, because nothing is impossible, although it is sometimes difficult. All this necessarily involves collaboration almost unanimous public sector which are directed such activities. All this to bring to the public, no matter the level of education you have, or what your age, since it has not limits for over the life (continuing education) continue learning and educating ourselves in all areas that affect society and our lives. Thus, through these activities should try to train the subjects to understand the full complexity of what comprises the art museum world and hand framed and accompanied by education.
Another area of \u200b\u200bintervention in the museums can be to the preparation, design and implementation of educational and recreational activities for more small. All this to try to convey in a manner best suited to their needs and age, everything related to the museum, and thereby make the parents see the importance of museums at an early age, since the museum is a framework where da socialization since childhood it has a very significant importance.
A part of this area would also have another as would be the possibility to improve the training of museum staff, as these people are the only "human works or living" that we can find in a museum and it is through their behavior, how to act or intervene in the interaction with the museum audience with what the pubic se queda, para la posterior valoración de la visita a uno u otro museo. Así que este sería un ámbito muy importante, puesto que si consigues atraer a público pero más tarde el trato que se les da no es el correcto no iríamos por el camino adecuado.
Otro marco donde poder trabajar, también podría ser la de puesta en marcha de nuevas estrategias de acercamiento de la cultura museística y artística a algunos lugares y sectores de la población.
educational and cultural eza can give us a museum. I also think that social workers must work, to try to open the museum to all social classes, without distinction and not allowing anyone to margin because they possess the skills, ability or education necessary to understand what can be discovered in a museum, so to these people open to make a double effort, because you can learn much, through art. We therefore need to carry out activities, dynamic projects, workshops among many alternatives and options, to try to equally stratified promotion of museums to society as a whole, all designed to bring education in the form of art, all over, because nothing is impossible, although it is sometimes difficult. All this necessarily involves collaboration almost unanimous public sector which are directed such activities. All this to bring to the public, no matter the level of education you have, or what your age, since it has not limits for over the life (continuing education) continue learning and educating ourselves in all areas that affect society and our lives. Thus, through these activities should try to train the subjects to understand the full complexity of what comprises the art museum world and hand framed and accompanied by education. Another area of \u200b\u200bintervention in the museums can be to the preparation, design and implementation of educational and recreational activities for more small. All this to try to convey in a manner best suited to their needs and age, everything related to the museum, and thereby make the parents see the importance of museums at an early age, since the museum is a framework where da socialization since childhood it has a very significant importance.
A part of this area would also have another as would be the possibility to improve the training of museum staff, as these people are the only "human works or living" that we can find in a museum and it is through their behavior, how to act or intervene in the interaction with the museum audience with what the pubic se queda, para la posterior valoración de la visita a uno u otro museo. Así que este sería un ámbito muy importante, puesto que si consigues atraer a público pero más tarde el trato que se les da no es el correcto no iríamos por el camino adecuado.
Otro marco donde poder trabajar, también podría ser la de puesta en marcha de nuevas estrategias de acercamiento de la cultura museística y artística a algunos lugares y sectores de la población.
Y por último, el ámbito más destacado y relevante que se nos ha dado a conocer por ahora es el del trabajo basado en el estudio del público asistente a los museos; Pero si realizamos todos los proyectos, talleres y actividades named above, will be implementing new recruitment techniques or pubic attraction, so also may work on whether these techniques have worked and if the answer is yes, you could make a comparison of the public who attended and attending after the implementation of new techniques.
And in conclusion to say that social educators, we do see people that museums are an unprecedented socialized, where you can have new experiences, and where we can change and improve our culture, education and behavior with respect to certain areas and is of course an opportunity "giant" to learn through art. Therefore we must work actively in this field and to publicize our work in these areas where little by little we are introducing.
Thursday, December 13, 2007
What's The Hardest Tae Bo Workout?
Papalagi
"The Papalagi " is a book that tells the address of Tuaivii Tiavea , Samoa boss after his visit to Europe, its people and that the author Erich Scheurmann writing transports to be made known reflection of the Samoan , which made a criticism of European society, or white men, as we called him, the more interesting. Here I leave you with some of the phrases or thoughts of this little monograph, you will think:
- "The Papalagi as crustaceans live in concrete houses."
- "These islands of stones are the real land called Europe. Out there, there are so beautiful and fertile regions as our islands [...] These people other people live in cities, people of different character. They are called country folk. [...] In the Greek people do not care about all this. They are convinced they have more rights than those in the countryside and its work is more important to plant vegetables in the earth. "
- " When Europeans show them a piece of metal round brilliant or a piece of heavy paper, then their eyes light up and the saliva starts to drool for his lips. Money is his only love, money is their God. "
- " Work and have more money, is the common European standard. "
- " And Papalagi invent more and more things. Burning his hands, their faces turn ashen and his shoulders are stooped, but still bursting with happiness when they won doing a new thing. And suddenly, everybody wants to have this thing put it in front of them, the worship and sing praises in their language. "
- " At Papalagi they have softened their brains and play to be the Great Spirit in person: not to think about all the things they have lost. "
- " is a sign of great poverty that someone needs many things. "
- " No Papalagi sing or go through life with a twinkle in his eye when their only possession is a food container as do we (Samoan). "
- " Although there will never be more time between the dawn and sunset, this will never be enough for them. "
- " How old are you?, means many moons have lived. Examine and count that way is fraught with peril, because it was discovered how many people usually live moons. So keep that in mind as they have spent a lot of moons, say: "Now I have to die soon."
- "Again I saw a Papalagi I had time and never regretted it because . But this man was poor, dirty and neglected [...] I did not understand that, because his step was slow and steady, his eyes calm and friendly. When we asked how this had happened, he shook his head and said sadly: "I've never been able to take my time, so now I'm poor and despised a chump." That man had time, but was not happy. "
- " What you think of a man who has a whole bunch of bananas in its hands and is not willing to give even a single fruit to hungry implores ? [...] Know then, that the Papalagi acts this way every hour, every day. Even if a hundred mats, will not even join his brother who has none. No, he even criticized his brother for not having any. "
- "The machine is the greatest wizard of Europe. [...] And Papalagi are magicians. "
- " The challenge Papalagi God but the sun, water and fire still obey God first. And the white man has not yet managed to regulate the output of the moon or the wind. "
- " The Papalagi not love nothing because the machine can make something new at any time. They have to feed it with the blood of his own life in exchange for receiving his miracles without a heart. [...] But Papalagi have not yet invented the machine to protect them from death. "
- "Only when all the senses and all members working together, can the heart of a man to be happy and healthy, not when they are allowed to live only a part and the rest of it has to be dead."
- "But Papalagi think so much because for them to think has become a habit, a necessity and a lack, often living with only their heads, while the rest of their bodies are asleep."
For those interested in this work can be read in full at:
Http://www.sisabianovenia.com/LoLeido/Ficcion/Papalagis.htm
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